Sony fined
Gee... Like it hadn't been done before. It makes you wonder who was complaining so much that they could get Sony whacked $10 Million for payola to radio stations. Like this is a new practice?
Now we see why the music industry has nothing to offer. How many great bands could have been shot up the media ladder had their deserved airtime parking spots NOT been taken by mediocre groups being pushed by big companies?
We always understood that radio and music television is nothing but a big commercial for their products to be purchased (not stolen via illegal download), but the fairness is lost with this tactic. It's deplorable.
Sure, I admit, I'd probably want my music promoted with lot's of zeal and effort on the part of my label, but I don't want to think I was force feeding crap to the masses if my music wasn't really good enough. There are far too many "Johnny Bravos" out there simply fitting into the suit that you have to sit in disgust over it all. Record companies often fear trying to make trends in big leaps over fear of financial loss.
There have been so few avante guard acts with even the slightest bit of airplay. Record companies think that we must stay as cattle and just deal with what they churn out over and over...
When I think about the last 30 years of music, I try to list those groups that changed the face of music. Unfortunately, not all got super group status.
Enigma changed the shape of music when it introduced the world to the ethereal sounds of the Gregorian chant.
Moby confused us with his eclectic electronic sounds that never seemed to keep a constant grasp on a steady concept.
Depeche Mode set the tone for 25 years of new wave/ alternative, yet never took the world by the storm they could have. The same goes for the Cure.
Marilyn Manson became more of a circus act than a musician... especially after he lost Twiggy. Was he setting the groove or like Korn, Limp Bizkit and Linken Park, merely staying in the media trough of cookie cutter edgy rock bands? His hype was more smoke and mirrors than anything else. This labeled him as an oddity.
Prince created the Minneapolis sound. He was an oddity also, yet his consistency was more stable in the icon status. I still say the other Minneapolis bands where more fun. Morris Day and the Time were my favourites. Janet Jackson benefited from their sound with the "Rhythm Nation:1814" album.
Dave Matthews. Not my kind of alternative, yet he did seem to spark a huge following and cross over into pop culture. Sort of a modern day Jimmy Buffett, the following he has is rather Parrot-head like.
I digressed slightly. How many people could have made a greater influence on music if they weren't thrown into the similarity bin and churned out for the purpose of making a payola paid back buck?
It makes no sense to complain. What exactly can we the consumer do? Boycott all together? Stop listening to radio? Stop buying CD's?
I don't think that would work somehow.
Why won't record companies stop spending on payola and fines and put the money into getting us something better to listen to? Take that money and take a chance on someone for once...Oh well...wishful thinking.
Here's the article from Spin magazine on the Sony Payola scam.